Gucci Cruise 2018, Florence

Published for Blouin Artinfo

May 2017

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Looks from Gucci Cruise 2018

The grand Gucci Cruise 2018, was held in Florence at the Palatina Gallery at Palazzo Pitti on May 29, 2017. The venue was an apt choice for the kind of muse Alessandro Michele had while putting together this collection.

The collection was everything Renaissance, bought in the modern world with absolutely no rules. Right from the paintings hung on the walls to the embroidery on the chairs helped to build up the mood for what followed.

The Cruise line offered some women’s gowns and fur coats along dresses, skirt and shorts. The men’s pieces were injected with graphics, slogans and embroidered details if not quilted.

There were prints, paired with prints worn under a layer of some more prints. Leopard-spot turbans, head scarves, bandeaux, nerdy tinted spectacles, glittery-framed sunglasses, medieval hairpieces and loads of bling. Pearls were woven into flowing tresses and at an instance adorned over the face. Embellished, glittery monogrammed GG tights and socks that went along many looks.

The major highlight of the show was the sparkling “GUCCY” typo on one of the model’s chest.  This trans-seasonal collection urged the viewer to unleash all norms of fashion. Slogans like “GUCCIFY” or “GUCCIFICATION” made sure this collection was like the one that was showcased never before.

The models had minimal makeup on with flushed cheeks and glistening eye-lids. The collection was an interesting mix of the renaissance art and 21st century fashion.

Everything about this Cruise collection was “GUCCIFIED” right from the personal invites, to the grand venue to the glorious collection.

 

Prada Resort 2018, Milan

Published for Blouin Arinfo

May 2017

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Prada 2018 Resort fashion show, showcased on May 7, 2017 was held at Osservatorio, Fondazione in Galleria Vittorio Emanuele II, Milan.

AMO prepared the set for the show of in-betweens (spring-winter). Where everything, right from the ambience to the collection lived up to the essence of in-betweens.

Models walked along the windows, glowing in the afternoon sun, suspended between the sky and the ornate iron dome that acted as the silent backdrop for the show. The set was conceived as a confrontation between real and manufactured moments.

Synonymously the collection was mix of classics in a fresh take, sporty athleisure trend interpreted in the most signature Prada style.

The range was made in a delicious palette of subtle pastel; mint, peach, pink, pale blue along the classic white, black and navy blue. The garments followed a slim line silhouette with lots of sheer fabrics and layering as one of the primary directions.Sheer tunics, shirts, overskirts, underskirts, shirtdresses were adorned with a hint of Prada’s intricate embellishments. There were pleats, crystals, feathers and zippers all packed in one collection.

Athleisure trend was predominantly beautified. The models walked the ramp in Tube socks pairing them with heels or Velcro shoes worn with jackets, skirts and dresses. They were given one or more fishtail braids along natural eyes and stark red lip colour.

Like any other trademark Prada show, details were an important aspect, on dresses, on bags, on accessories and headgears. There were feathered hemlines, scalloped edges, patterned socks and textured knits along traces of psychedelic florals and rabbit’s prints.

This collection did make up for the long break of Resort fashion shows that Prada took. We hope to see the brand more often, because we can never have enough of Prada.

Get a sneak peek of a few looks from the Prada Resort 2018.

Chanel Resort 2018 : “The Modernity of Antiquity”

Published for Blouin Artinfo

May 2017

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“The criteria of beauty in ancient, then classical, Greece still hold true. There have never been more beautiful representations of women. Or more beautiful columns. The entire Renaissance, in fact, was based on Antiquity. It is really about the youth of the world in all its power and unpredictability.” Karl Lagerfeld.

This year, on May 3 2017, the French designer got the beauty of Greece to the city of Paris. He wonderfully recreated the Temple of Poseidon at the Grand Palais, making a not only a grand set, but presenting perfection with ruined pillars and yellow-sun-like lightning.

“I see Greece as the origin of beauty and culture.”

The collection was most modern-ly-antique. It mirrored the Greek spirit in every possible way. A subtle pastel theme walked till the end, with lots of gold and contemporary grandeur. Tweed tunics, frayed edges, pleated skirts, coarse knits, which lots of embellishments and accessories.

The Greek aesthetic was transported to this era with one-shouldered toga dresses, tweed tunics with rope belts, leather jackets paired with skirts, gold coin buttons, jewelled hair clips and a breath-taking range of sunglasses adorned with some more gold.

White dresses with fitted waists embroidered with sequins to create a marble effect were sent down the ramp followed by tweed dresses with zippers frayed hems.

The make-up was kept natural with almost no visible lip colour. The focus was on the eye done in an unmistakable Mediterranean shape with a liner.

We might go on and on about the collection, but the real show stealers were the magnificent gladiator sandals in vibrant yellow, blue and gold shades. Outlining the true essence of the theme, these Greek gladiators were modernised with column heels and paired with almost all the outfits.

The designer wrapped up the show in a delightful manner, walking the runway with Hudson Kroenig, his 8-year-old grandson.